I consciously unite these two difficult points, which strike me," she said. It creates unbelievable life stories and colors. Going straight to eastern Anatolia, flirting and articulating these two points take on unbelievable dimensions. "For example, we may find out from a serious medical expert that he believes in something unconventional. In countries like ours, dark reality, fantasy, secularism and spiritualism all pass within, like two-headed children whose bodies have been created together," she said. I think that it has a little to do with the geography of the area where I lived and was nourished. I enjoy bringing the two points together and harvesting them in the storms of my own inner world. The writer accepts that her works enter both the realms of the fantastic and the realistic. Öztürk’s writing is a mixture of fantasy and present day reality. These she places alongside the harsh reality of those same lands and knits together the events she has set in motion. She brings to life the rich spiritual traditions of the East, the lands of legends and tales and ancient times.
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She discusses heroines who have embarked on journeys of initiation to free their bodies and consciences and bravely surmount trauma caused by being squeezed between the East and West. She had begun a life of writing and directing.Īuthor and film director, in her novels she speaks of strong, atypical women who struggle and shatter traditions. Returning home later, she wrote her first novel, "Yalniz Bebekler" (Lonesome Babies) and shot her first documentary film, "Faytonlari" (Phaetons). She also took classes in directing and cinema at various institutions. It was during this period that she wrote articles for various magazines and newspapers.Īfter finishing university she worked in Switzerland as a program producer and presenter for Bern Radio Forderband. Later she graduated from Istanbul University’s Press and Publication School, which she entered in 1986. She dropped out of school at EskiÅŸehir Economic and Commercial Sciences Academy because she joined student movements and worked in factories and shantytowns, depending on the moment’s political struggles. I put these two feelings together in cinema film."
I go into a trance, especially if the location of the shooting is outside of the metropolitan areas. "However, if it is a documentary that has reached the filming stage I feel better. So the feeling of freedom that writing a book gives me suits me very well. The skepticism that I feel about the information and the responsibility I feel toward what I have said makes me retreat to an unbelievable degree.
But in documentary filmmaking there is the matter of historical information that others have created and working with a crew that others have used. Her talents are diverse and when asked by the Hürriyet Daily News & Economic Review which she preferred Ğ writing or producing documentary films, Öztürk said: "While writing you can move with a feeling of endless freedom. Öztürk has already made quite a name for herself through writing novels and directing documentary films.
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